Williams Fish Camp

 

Point and Shoot, FL (YU)—Cacoëthes Scribendi was an adventure travel correspondent for the L. A. (Lower Alabama) Free Press.

      He had been a hospitality industry report writer and folk art critic, the ecotourism czar of South Walton County, the sex tourism czar of Panama City Beach (Please drink responsibly.  Show us your tits), and was now a senior fellow at the prestigious left-wing think-tank in Point and Shoot, Florida, the Point and Shoot Institute (PSI).  So much pressure.

      He threw a musette bag with his Nikon Coolpix 3100 camera in it in the family car, an Oldsmobile Cutlass station wagon, and drove over to Wakulla County to research a book he was writing called THE VOLCANOES OF WAKULLA COUNTY.

      His hero was named Irascible “Razz” Heap.  Heap was his own paparazzo.  He razzed, or cocked a snook at, New York.

      One time Kurt Schwitters made a collage with a bank note on it that said Kommerzbank.  He pasted other screeds over it and ended up with the word merz showing.  That’s what he called what he was doing.  Merz.

      Heap pasted a business card with his name on it on a collage, pasted other screeds over it, and ended up with Razz.  That’s what he called what he was doing.  Razz.

      Razz was a verb as well as a noun.  Razz me, blues.

      What do you think it means.  All that razz.  It either means fuck or shit.

      The first dig Heap went on, the crew lived in a school bus up on cinder blocks at Williams Fish Camp, on the Aucilla River.

      They bathed in the river.

      They took a john boat in to the site.

      The fish camp was on the Taylor County side of the river.  The site they dug, an Archaic midden, was on the Jefferson County side.

      They ate supper at the Ship’s Cove Café, in Newport, across from the entrance to the Wakulla National Wildlife Refuge.  Newport, and St. Marks, were in Wakulla County.

      The St. Marks and Wakulla Rivers met at Luther Tucker Point, and flowed together out to the Gulf of Mexico.

 

 

 

 

      This was at San Marcos de Apalache, the Spanish Fort.  Heap scooped the brains out of the skulls of some Hessian mercenaries who had been buried at the fort, the graves immersed in salt water, the brains preserved by saline solution.

      Phew—white folks!  What if they were Christians?

      It was okay.  They were probably Protestants.

      Maybe heatherns.

      Heap dug up an Indian mandible, buried with a jasper celt, in the archaic site.  He was certainly a heathern.

      Eat with sticks and don’t love Jesus.

      On Mountain Stage, Heap heard Jessica Lea Mayfield sing,

 

 

get thee behind me jesus
i'm tired of searching for truth
get thee behind me jesus
i've given up on you

 

 

      From “Bible Days.”  On the album With Blasphemy, So Heartfelt.

      Huh?  Is that right?  Did he hear that?

      Heap had something wrong with his hearing.

      Sometimes he couldn’t hear things.

      And sometimes he heard things that were not there.

      Now, that wasn’t a problem.

      The problem was he couldn’t always tell which was which.

      “Sometimes I wanna behave like I live in the bible days.”  Was that the last line?

      That puts a different meaning on it.

      Heap’s father had been a Methodist minister.  He was a preacher’s kid.  That shit gets in your system.  Down there deep.  In a story, Bukowski has a guy kick a pregnant woman down a flight of stairs and cry out, “Mama.”

      I want my mama.

 


 

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