27.  How Did You Come To Be in Atlanta?

 

Q:  How did you come to be in Atlanta?

 

A:  I took a job out of town, temp-to-perm.

      That is how they hired people permanent.

      They’d hire a job-shopper on a temporary contract and if you worked out, offer you a job.

      Owen was on the road with Doyle Lawson and Quicksilver.  Balder was in the Marines.  Brenda was working at the prison in Wewa and living in a trailer behind Granny Brown.

      Later, Balder and I helped he buy a trailer in Wewa, closer to her job, with a well and a satellite dish, and I built a chicken coop for her and put in a garden.

      A porch swing on a frame.

      We didn’t have a porch but we had the swing.

      She lived out in the country.

      I thought I would work until I was 75 and retire to Wewa and be a Wewahitchka, Florida writer.

      But the Bush-Enron administration got in and that was it for my plans to retire at 75.

      I retired at 62.

      I was WMPed.

      You been WMPed.

 

Q:  You haven’t been busted, you have been reverted to your permanent rank.

 

A:  Yardbird.

 

Q:  In Pleasures of the High Rhine, Richard Dobson is watching the Bush-Enron administration, from Switzerland, and 9-11 happened, and he said he had bad dreams.

 

 

But I didn’t dream of terrorists and the mujahideen; I dreamed government agents were rounding up critics, artists, and intellectuals.  I dreamed of Big Brother.

 

 

A:  I dreamed Corporate Security would be monitoring my web site usage.  Looking at what sites I visited on the Internet.  Reading my email.

 

Q:  They were.  They owned anything you did on your computer.  It was their property.

 

A:  My brain was their property.

      The language was their property.

      They own the language.

      Artists don’t own it.  People don’t own it.  The government doesn’t own it.

      The company owns it.

 

Q:  They bought it and paid for it.

 

A:  Yes.  It’s theirs and they can do whatever they want with it.

 

Q:  If you object you’ll be sacked and blacklisted.

 

A:  I wrote a pamphlet called A Poet Against the War.

      On September 12.

      I started it September 11.

      I wrote two continuations of it.

 

Q:  Poems about 9-11.

 

A:  Poems about Big Brother.

      Poems about the company.

      The military-industrial complex.

      The military-industrial-academic complex.

 

Q:  Haynes Johnson said his graduate students all told him they were glad he wrote his Blowback Trilogy because they couldn’t.  They wouldn’t get tenure.

 

A:  That’s how it works.

      That’s how they make it work.

 

Q:  It was not a good time to speak out against the Bush-Enron administration.

 

A:  It’s never a good time to speak out against the company.

 

Q:  They’re going to fuck you anyway, you might as well have your say.

 

A:  Don’t come in half-steppin’.

 


 

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