24.  Where Did Vernacular Writer Come From?

 

Q:  Where did vernacular writer come from?

 

A:  In Atlanta, the Cultural Olympics sponsored a show called Souls Grown Deep:  African-American Vernacular Art of the South.

      It was a good show.  I enjoyed it.

      Jane Fonda published a coffeetable book that was impressive.

 

Q:  They had a folk art show that excluded white folk artists?

 

A:  Tacky, wasn’t it.

      Vernacular translates of native-born slaves.

      A slave is an ambassador in bonds, who speaks boldly, as one ought to speak.  To his master.

      I started calling myself a vernacular writer.

      I had vernacular writer business cards made up.

 

Q:  As well you might have.

      Did anybody object, and say a white person couldn’t be a slave?

 

A:  Nobody paid any attention whatsoever.

 

Q:  Did anybody think it was tacky to exclude white folk artists from a folk art show?

 

A:  Not so’s you’d notice.

 

Q:  Did you think it was funny?

 

A:  I did, but no one but Larry was laughing.

      And you know Larry’s eccentric.

 

Q:  Larry thought it was funny?

 

A:  He did.

 

Q:  Did he think you calling yourself a vernacular writer was funny?

 

A:  He did.

      Sometimes I called myself America’s greatest writer, short for America’s greatest living unpublished, or underpublished writer, perhaps the greatest unpublished, or underpublished American writer ever.

      He would introduce me as, “America’s greatest writer.”

      He thought it was funny that I couldn’t get published.

      It is funny.  It’s like saying, “New York is a city run entirely by lists.”

 


 

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