Black McGoon

 

We took Owen and Balder to the State Library,

in the R. A. Gray Building, to the auditorium,

to see The Creature From the Black Lagoon,

filmed at nearby Wakulla Springs, in 1953.

The library showed movies on Friday night.

For the university community.  College-town

hanger’s-on.  At one point, the creature puts his hand

on the gunwale of the boat Julia Adams is sunning herself

on the deck of, his scaly, webbed-fang fingers, and Balder hollered,

“Black McGoon!”  Everybody laughed.  I had McGoon and the Malay Gibbon,

Hylobates Lar, a good crossword-puzzle word, dressed up like Charlie Parker,

3-D glasses up on his head, one green lens and one red, and Amadeo Modigliani,

in white silk scarf and Latin Quarter hat, an organ-grinder and

an organ-grinder’s monkey.  This was not done.

The Italian could be the blackamoor, but not

vice versa.  Nor could I use them as characters in

the book I was writing, A HISTORY OF THE SECOND

SEMINOLE WAR, in which one of them played

Osceola and the other one played Wildcat.

Totem and Taboo.  Sigmund Freud.

Edward Sapir.  “Psychiatric and Cultural Pitfalls

in the Business of Getting a Living.”  Work makes you crazy.

You can’t say savages, you can’t say crazy people, you can’t say

feeble-minded, or an idiot, you can’t say retarded.  You can’t even say

handicapped or disabled.  I am white.  Les White.  More white than him,

less white than you.  Less white than what it takes, presumably.

Less white than what it took.  Too white.  I was blinded by

my whiteness.

 


 

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