Orts

 

In The Mullet and the Couscous Grain,

the hero is a grandfather, working at the docks.

They cut back his hours.  The foreman works

for management.  He gets some fish from a friend,

who works with one of his sons, and takes them home.

He goes by to see his ex-wife.  She has a freezer full of them.

He goes to the place where he keeps a room, and sleeps with

another woman, when he can get it up.  It’s crowded.  Her daughter.

Children, in-laws, he is inhibited.  Every Sunday his ex-wife cooks,

and everybody comes, to eat her couscous, and hot peppers, and fish.

He goes back to his room.  His son urges him to move back to Tunisia,

but he didn’t spend 35 years in France for nothing.  Is this correct?

I can’t keep the people straight.  I don’t know where they’re from or

what they do.  But life seems to be much the same everywhere.

The big fish eat the little fish.  The bureaucrats

enforce the rules and live off leavings.

Orts.  Good crossword-puzzle word.

They have to be vicious because

the stakes are so low.

What else can they do?

They even have esprit de corps.

They are gung-ho rule-enforcers.

They hate the people they regulate

like a brakeman hates a railroad bum.

Like management hates labor.

Like my co-workers at Lucent hated unions.

Their ranch-style homes in the suburbs.

Their riding lawnmowers, their SUVs,

to take the kids to soccer practice.

Their Stepford Wives.

I walked back from the A&P with

two tall six-backs of beer, my nightly ration.

READFEST ’76.  Balder was a baby.

I got laid off.  I was on unemployment and food stamps.

Owen was three.  He had a polystyrene horse on springs named Gaylord.

He had twin pearl-handled cap pistols and plastic cowboy boots.

He had a John B. Stetson hat.  He was an Owen-stone cowboy.

I drank and cussed the TV set.  I was scaring Balder.

Brenda had had a sufficit.

 


 

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