Close
I wore my brogans to the reading.
They're scuffed, from asphalt shingles,
that
acted like sandpaper.
I don't polish them. I use saddle soap.
They have character.
They're like
the potato-eater shoes van Gogh drew
in the Borinage. Is that
correct?
I wrote a book that compared Jack Neff
and me to van Gogh and Gauguin.
SCHOOL OF THE SOUTH. STUDIO?
I've written so many books
I have to look
the titles up.
Vincent's canvases had to be cotton,
and so many threads per
inch.
Did he whitewash them with Gesso?
I don't remember. I once knew,
but
close only counts in hand grenades
and horseshoes.
After BLUE-COLLAR REDNECK: An Online Journal (OLJ)
AFTER BLUE-COLLAR REDNECK: AN ONLINE JOURNAL (OLJ). January 6 - January __. In progress. I drive to Page and Palette bookstore in Fairhope, Alabama, to read. I see that my next book is about the Class of '57, and bluegrass. I send off for a weekend (three-day) pass, rough camping, at the Everglades Bluegrass Festival, off Ives Dairy Road, in Ojus. I'll drive through my old hometown of Delray Beach while I am there. Visit Old School Square. You can't go home again. One must. Someone has to deconstruct postmodernism. Fannie Flagg on her back porch, cleaning fish. [Flagg wrote Fried Green Tomatoes at the Whistle Stop Café in Fairhope.]
Friday Night Fights
My dad and I used to watch
the Friday Night Fights,
sponsored by Pabst Blue
Ribbon beer,
or Gillette Blue Blades, or Mennen's Skin Bracer.
The barber would
apply witch hazel,
perhaps a scented talc. You'd smell like Catherine
Deneuve.
You'd sweat like a whore in church.
This was before air-conditioning. I can
remember
when the only thing that was air-conditioned was Burdine's
department
store and some movie theaters in Miami.
I can remember when only two things came
in cans:
tomatoes and sardines. So what? Who gives a shit.
Talk is cheap.
What war are we in? What corruption scandal?
How bad is health care? How bad
is social security?
Have you seen the new reality shows? A recent theme is
Missing
White Women. Sexual predators, recently released
from jail. It was always there,
we just didn't codify it
as a leitmotif. It wasn't an industry, with commentators,
and
immediate response teams. Victim publicists.
Whatever Happened to Baby Jane?
She's in a new feature film, a revival in
the dinner theaters, a rerun of
the miniseries,
on teevee. What's old enough is young.
What's stale is fresh
again. New, improved.
The graphic. The theme music. The holdovers
from
the O. J. Trial, or Michael Jackson.
The crawl. The multitasking. It reminds
me of
Ballet mécanique, Le Journal, nonobjective art, atonal music.
Postmodernism
must be deconstructed.
You Can't Go Home Again
You can't go home again.
One must. Someone has to
deconstruct postmodernism.
It's
a shitty gig, with no
job security or fringe benefits.
You might get some strange
pussy.
You might get a sexually transmitted disease (STD).
You might get venereal
warts, or herpes. Or lympho-
granuloma venereum (LGV). Bubo. Dandruff,
fallen
arches, athlete's foot, the piles, cataracts,
the heartbreak of psoriasis. Acid
indigestion,
bad breath, dental caries. Morning terror
and large bowel complaints.
As Walker Percy says.
Brain declines your article on the quantitative/
qualitative
ontological lapsometer try Rehab Weekly.
Show Business
Fannie Flagg wrote Fried Green Tomatoes
at the Whistle Stop Café in Fairhope,
Alabama.
When she wasn't on her back porch, cleaning fish.
Nostalgia isn't
what it used to be. Why can't I do that?
Am I balmy? Daft? Who wants a deconstruction
of
postmodernism? Nobody but English majors,
and they're all nerds. I am
not a creep.
I'm a regular person. I watch boxing.
I buy razor blades and
aftershave.
I drink beer. I get my hair cut
at a barber shop. The stylist
asks me
if I am retired military, and I say,
"Lord, honey, two hitches
was enough."
I'm old enough to call young women
dear, or darling.
Sweetheart. I don't.
I don't stereotype people. For all I know
she
is a xylophonist, after duty. She tap-dances with
a ventriloquist's dummy while
playing the accordion.
Arthur
The receptionist at The Colony Grill,
the maitre d', and my waiter
all
called me by my name,
which the receptionist asked for
when I appeared, without
a reservation,
for supper. They asked if I was local,
or just passing through.
I got to tell them
I was in town for a reading at Page and Palette
bookstore,
and hear them say, "Oh, are you
a writer?" You know. The full magnolia.
Paid
to come and read? Published? A published arthur?
As Molly Iivins says.
Eat your heart out, you plebeians.
Just before the soldier punched his lights
out,
at the USA dance, in Barton Fink, John Turturro cried,
"You
monsters, I create. This"--pointing to his head--
"is my uniform."
I'd point to my crotch. The head, the heart,
and the balls, all working in sync.