Crack and Thumb
I cracked Bukowski Never Did This
and thumbed through it. if I picked
it up
in a bookstore and did that I would buy it.
I might buy it for the back
cover alone,
with the picture of me eating a tray of portugaises
at the Acme
Oyster Bar at Baytowne Wharf.
Or the title and subtitle. Bukowski Never Did
This.
A Year in the Life of an Underground Writer and His Family.
Whoo-ee,
praise God, amen, as Ella said when she came in
and Owen was cooking deer meat
in a skillet. I fell out laughing.
If you can hear the tone of voice, it's funny.
In a deadpan,
Buster Keaton way. Measuring off a yard of ticker tape
with his
nose and an extended arm. In The Saphead.
Guy Lit
Literature separates the men from the boys.
That's what guy lit is about. Manhood.
How
to be true to your responsibilities to
your loved ones and to your own finer
qualities,
your talent, your sensitivity, your patience,
and your loyalty
to a beau ideal. It's not anti-female,
as a dick lit might be, a
bunch of books written by a guy
who lived off his wife, or played around on a
faithful woman
because he could.
Road Hog
As I said about naked women standing on balconies
in the French Quarter and
drinking in the streets,
"What fun is that?" Pamplona is bullish on
American
yuppies, vicarious tourism, I'll have
a tray of portugaises, please, I
just finished writing
a story up over the sawmill while you phonies
were sitting
in the cafes, talking a good fuck.
Trust funds akimbo. Is that the Aga Kahn
who's
funding you or the CIA? You're just
a front man, a stooge, for big business, big
government,
big military-industrial-academic complex. While I'm
a professor
of cracker studies without portfolio emeritus.
A writer-in-residence expelled.
My 180-day appointment run out,
no OPS job in the offing. We'll go to Nashville
and cut a demo tape
if we can all get our vacations at the paper mill together.
Lester
"Road Hog" Moran and the Cadillac Cowboys.
Live at the Johnny Mac Brown
High School.
Underground Writer, C'est Moi
Pat and I went for basically
a two-hour walk on city sidewalks,
ending up
at the Philadelphia Free Public Library,
where we gave out fliers advertising
our reading at
the Medusa Lounge. Philadelphia Weekly called it
a read-off,
as if it were a poetry slam. Read-off is
a put-down. I apply it to myself,
for participating.
Like calling myself the Madcap Titan of the Dustbin,
or
King of the Hard-Mouth Poets. I call Michelob Ultra
rice beer and ice water. Kirin
Ichiban. Special Premium Reserve.
The authentic first-press beer. Whatever that
means. Get a young boy
with clean feet to mash the Scuppernong grapes in your
galvanized washtub.
Maybe Terry Gross will come to catch our show. Karl invited
her.
Right after the war with the Eskimos. Walking down the sidewalk
I asked
Pat if the Harlem Globetrotters were in town. Meaning people
in exercise clothes
with pro-team logos on them. Underground writer, c'est moi.
I'm the franchise.
I established the brand. I blew up like a ripe papaya
or Zero Zilenski's kingfish.
Incognito
I've worn my ULA Literary All-Stars
#2 Writer badge on a lanyard
around
my neck all weekend,
and no one has noticed it,
or made a comment. That's
nothing.
I have a cloisonné Kurt Schwitters
Merz Centennial pen, 1887 - 1987,
I
wear as brass on my woolen o. d.
Greek fisherman cap, olive drab, not
outer
diameter, makes me look like
Zippy the Pinhead. I've had the hat
for 18
years, and no one has ever
commented on it, either. Here comes
Radio Raheem
with his ghetto-blaster.
The Readings
Q: How did the readings go?
A: It was mostly ULA members and well-wishers. No press. Nobody who took
a flier from us.
I enjoyed myself.
Q: How did you do?
A: I don't think people could hear me.
I spoke into a microphone,
but there was no monitor, so I couldn't hear what I was doing.
I read some
introductory material and then three Art Brew columns from Slap Out, Alabama.
They were interminable. Boring.
I got one or two laughs.
I'd have
to say that reading isn't my strong suit.
The stuff is meant to be read on
the page, not listened to, by someone reading it aloud.
Or not by me reading
it aloud.
Q: Do you think the reading was an event? A happening?
A: Historic, do you mean? Like the readings ar the Six Gallery?
It depends on how the book, Bukowski Never Did This, does.
It was
just a party, if the book doesn't do well.
It was historic for me, personally.
Q: In what way?
A: I feel like this is it. This is all there's going to be. But this is
enough. I don't need any more.
I know who I am, and what I've done. What
I'm doing.
A handful of kindred spirits know.
I'm enjoying myself.
There is the book fair today.
I'm doing a workshop at 1:00.
Q: Do you know what you're going to say?
A: I'm going to make an outline.