The Career
Q: Anderson tried to get commissions to paint murals, but after he failed at that, he stopped trying to advance his career. He concentrated on creating a body of work. An oeuvre.
A: He concentrated on devoting most of every day to painting. The oeuvre followed.
Q: He was left out of most art books because the people who wrote the books didn't know about him. How would they? Where would they have seen his work?
A: I'm left out of books about contemporary writing because the people who write about the subject have not seen my books.
Q: Were you trying to have a career as a writer? By publishing books?
A: Yes. I just wouldn't write what New York wanted, and that made it hard to find a publisher.
Q: Did you try to write what they wanted?
A: No. I tried to tell them why what I wrote would sell.
I didn't
try to change what I wrote.
I had no interest in doing that.
Q: What did you write about?
A: About being an outsider.
Q: You can't write about being an outsider without living the life. And that means pushing them away when they try to include you.
A: Yes. I know.
Q: You're either an outsider or you're not.
A: Yes. I know.
Q: It's a question of authenticity.
A: That's how I see it.
Q: Anderson's recognized now.
A: Yes. 35 years after his death.
Q: Do you think it will take that long for it to happen to you?
A: I don't think it's going to happen to me at all.
I think this
is it. This book.
Then the next book.
They go in Larry's closet.
I don't think anything happens beyond that.
I write them, Larry reads them,
he puts them in his outbuilding, I put them in my outbuilding.
Q: Do you think you'll live to complete 40-Year Run?
A: I can't say.
I'll write as long as I can.
I didn't think
I'd go 35 years without selling a book to New York or Hollywood. For money. Without
making a custodian's wages writing enema vérité.
I don't see how I can go five
more years.
But I'll just keep writing, and either I'll make it or I'll die
first.
I'll die before I make it.
35 years is a good enough run.
A pretty good run.